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The Sedgewick Museum, Fossils and other things beneath my feet

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Sunday, 17 September 2017

The Sedgewick Museum, Fossils and other things beneath my feet

Back in 2014 I was beginning to discover the (to me) thrilling world of the fossils embedded in the Oxford Clay which underlies this area. We were once a Jurassic shallow sea and its fishy remains are still held in the sticky mud. I have collected quite a few, see my blog post; More about fossils, here,  tiny crinoids, elegant belemnites and the odd fragment of ammonite collected from the reservoir shore.

On Tuesday we made a brief visit to the Sedgewick Museum in Cambridge. If you love cases of fossils and bits of bones and maps and things, a quiet contemplative atmosphere and no crowds, this is for you. I could have settled in happily for a few days of quiet sketching.

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Photos from the Sedgewick Museum Website.

There is so much there to study and consider; the beautiful hand written labels on the specimens, Darwin’s note books, astonishing relics of creatures that knew a different earth and the strangely comforting feeling of being amongst benign ancestors. I thought more about the layering of my Path prints and those things deeper down from 200 million years ago.

The museum was started by Dr John Woodward (1665-1728) and included fossils which had been collected and drawn by the Italian artist Agostino Scilla who published a book of exquisite observed drawings in 1670 See more about Woodwardian and Scilla here.

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A Woodwardian case including some of Scillas fossils.

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One the drawings from Scilla book magnificently titled La vana speculazione disingannata dal senso (Vain Speculation Undeceived by Sense, 1670). I want to draw some more fossils and bones now.

Then there is the structures of rocks to consider, the layering of rocks and sediment.

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Print work has been hampered by an awful cold which has laid me low for the last 10 days but colds are often an opportunity to think about things and I have been considering how I might incorporate some of these wonderful things in the prints. It’s all there under my feet, embedded and hidden, but there.

However in the sketchbook I have been working on a few more rough ideas exploring the path, what I see on it, possible colours, how the map can help and other random thoughts about the fence posts. The charcoal burners keep returning too.~

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A4 Sketchbook notes

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path-sketch-1          sketchbok1sketchbook-2sketchbook-3

Ideas and thoughts.. sometimes having a cold can be quite productive.:).

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